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HENRI-EDMOND CROSS (1856-1910) , Ponte Moro, Rio Grimani (Venise), 1903-1904

HENRI-EDMOND CROSS (1856-1910)

Ponte Moro, Rio Grimani (Venise), 1903-1904
Oil on canvas
59.2 x 73 cm (23 1/4 x 28 3/4 in.)
Copyright/Photo credit
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Provenance

  • Galerie E. Druet, Paris
  • Adolf and Anna Langen, Cologne, circa 1908
  • Viktor and Marianne Langen, Meerbusch (by descent from the above and thence by descent)
  • Christie's, New York, 7 May 2014, lot 345
  • Private Collection (acquired at the above) 

Exhibitions

  • Paris, Grandes serres de l'alma, Exposition de la Société des Artistes Indépendants, February- March 1904, no.604
  • Paris, Galerie Bernheim-Jeune, Exposition Henri-Edmond Cross, April-May 1907, no.32
  • Krefeld, Kaiser Wilhelm Museum, Französisch Kunstausstellung, May-July 1907, no.28, p.17
  • Paris, Galerie E. Druet, Exposition de peintures et d'aquarelles de Henri Edmond Cross et Paul Signac, June-July 1911, no.4
  • Cologne, Städtische Ausstellungshalle, Internationale Kunstausstellung der Sonderbundes Westdeutscher Kunstfreunde und Künstler zu Cöln, May-September 1912, no.190, p.37 (titled Ponte-Moro)

 

The painting has been requested for the exhibition at the Museum Barberini in Potsdam and the Kunsthal Rotterdam in 2026/27.

Literature

  • Letter from Cross to Charles Angrand, 3 February 1904
  • Letter from Cross to Charles Angrand, 7 February 1904
  • T. Leclère, "Les Indépendants," La Plume, 15 March 1904, p.348
  • "À travers Paris," Le Figaro, 22 April 1907
  • F. Fénéon, "Les Carnets de H.E. Cross," Le Bulletin de la Vie artistique, 1 July 1922, p.302
  • L. Cousturier, H.E. Cross, Paris, 1932, pl.12, illus. (titled Canal à Venise)
  • Compin, H.E. Cross, Paris, 1964, pp.208, 211-212, no.115, illus.
  • V. and M. Langen, Kunst des 20ten Jahrhunderts, Sammlung Viktor und Marianne Langen, Ascona, 1986, vol.I, pp.9-10, illustrated
  • Exh. cat., 1912, Mission modern. Die Jahrhundertschau des Sonderbundes, Cologne, 2012, p.561, illustrated.
  • Patrick Offenstadt, Catalogue raisonné of Henri Edmond Cross, Paris, 2022, p.214,no.200, illustrated in color.
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