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PABLO PICASSO (1881-1973), Compotier et Guitare, 1921

PABLO PICASSO (1881-1973)

Compotier et Guitare, 1921
Pastel on paper
103 x 73 cm. (40 ½ x 28 ¾ in.)
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Provenance

  • Dr.Gottlieb Friedrich Reber (before 1950)
  • Dr Ingeborg Eichmann (acquired from the above)
  • Galerie Beyeler, Basel (acquired from the above in 1972)
  • Paul Haim, Paris (acquired from the above in 1973)
  • Sale, Enghien, Champin, Lombrail et Gautier, 29 November 1987, lot 3
  • Acquired at the above sale

Exhibitions

  • Winnipeg, The WinnipegArtGallery, September – October 1978
  • Calgary, Glenbow - Alberta Institute, October – December 1978
  • Vancouver, VancouverArtGallery, December 1978 – January 1979
  • Edmonton, The EdmontonArtGallery, January – February 1979
  • Toronto, Marlborough-Godard Gallery, Picasso, a selection of paintings, watercolours and drawings, 1902-1972, March 1978-79, n° 3 illustrated
  • Geneva, Musée de l’Athénée, Picasso Intime, Collection Maya Ruiz-Picasso, 1981, n° 82 illustrated
  • Japan, Tokyo, Osaka, Kyoto, Yokohama, Kurume, Korea – Seoul, Niigata, Koochi, 1981
  • Onomichi, OnomichiCityMuseum,1982
  • Hong Kong, Hong Kong Museum of Art, Picasso Intime, Collection Maya Ruiz-Picasso, 1982, n° 71, illustrated p. 86
  • Paris, Grand Palais, F.I.A.C., September 1983
  • Cologne, Galerie Gmurzynska, Pablo Picasso, October – November 1983, p. 82, illustrated p. 83
  • Paris, Galerie Daniel Malingue, Maîtres impressionnistes et modernes, 1984, n° 13
  • Sannois, Musée Maurice Utrillo

Literature

  • C. Zervos, Pablo Picasso : Œuvres de 1920 à 1922, vol. 4, Paris 1951, no.242, illustrated plate 85
  • The Picasso Project, Picasso’s Paintings, Watercolors, Drawings and Sculptures. A Comprehensive iIlustrated Catalogue 1985-1973, Neoclassicism I, 1920-1921, San Francisco 1995, n° 21-033, illustrated p. 174
  • J. Palau I Fabre , Picasso, from the Ballets to Drama (1917-1926),Madrid 1999, n° 969,

illustrated p. 258

  • P. Kropmanns and U. Fleckner, “Von Kontinentaler Bedeutung, Gottlieb Friedrich Reber und seine Sammlungen”, “Die Moderne und ihre Sammler. Französische Kunst in deutschem Privatbesitz vom Kaiserreich sur Weimarerr Republik, Berlin 2001, p. 404
  • Picasso et les choses, catalogue of exhibition 1992, illustrated p. 136
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